The Words Fashion Design in Cool Lettering
Logo fonts can brand or break your logo design. Choosing the correct typography tin help to tell your brand story and amplify the impact of your logo whenever and wherever people see information technology. But the incorrect font could spell problem. There are thousands of fonts for logos out in that location, and that's exactly why nosotros've put together this list of the almost notable, game-changing logo fonts of all time.
Many of these fonts are dazzling as is, but don't forget that they are besides a corking way to get inspired almost your logo design. They tin can exist altered and modified in a multitude of ways to give your brand a unique experience. Picking the right font for your logo is important, so be sure to spend some time selecting the perfect one for your make.
How to select the perfect logo fonts
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Start selecting your logo fonts past offset determining your brand personality (how your brand sounds and feels to your audition). Then consider which fonts evoke those same ideas and feelings you lot're going for.
In that location are several types of fonts or font families to choose from, and each one tells a different brand story. Pick a font style and blazon that works with the manner of logo you're envisioning. Looking for a logo with a modern and minimal style? Then a sans serif font will be best for your logo. Want your logo to be more traditional and classic? Go with a serif font.
Serif logo fonts have decorative "feet" at the ends of each letterform and evoke a polished, classic feeling.
Slab serif logo fonts are bolder, louder serifs with large letterforms designed to be seen from a long distance.
Script logo fonts are both formal and casual typefaces that take the loops and flourishes of script handwriting.
Sans-serif logo fonts lack the "feet" at the ends of each letterform and are considered more modern than their serif counterparts.
How many fonts should y'all utilise in a logo?
You should apply no more than 2 or 3 dissimilar logo fonts in your logo design. Whatever more than that and your logo design will expect too decorated and inconsistent. The number of fonts also depends on the amount of text you're incorporating in your logo. Choose one font for your master make name and another font for boosted supporting text, such equally your tagline or brand description.
How to combine logo fonts?
When combining dissimilar logo fonts in one logo design you want to make certain the fonts complement each other.
Choice i main font for your brand name that represents your make's way the best. It should be the nigh eye-catching out of the fonts you lot selected. Any additional fonts need to exist more subtle.
- Information technology's a good idea to combine a statement font with a more than subdued sans-serif font.
- Another selection is to combine dissimilar versions of the aforementioned font: try combining the font of your choice in italics, bold or all caps.
- Avert combining unlike argument fonts, such every bit serifs with slab serifs or a script font with some other script font.
Acquire more about selecting a font for your brand hither.
Here are the 61 top logo fonts everyone should know:
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1. Bodoni
The Bodoni typeface surfaced during a time when typeface designers were experimenting with the contrast betwixt thick and thin type characteristics. Giambattista Bodoni took that experiment to an extreme, creating this dramatic font. Information technology has resonated through fourth dimension in famous logos like Vogue and Calvin Klein, and is a great font to consider for mainstream fashion brands.
As you'll run into below, Bodoni has a lot in mutual with the Didot family of typefaces because it was created around the same time in history. Regardless, the Bodoni typeface has its ain way.
Consider this logo font for style industries that are pushing the extremes on the runway!
two. Choplin
Based on the unconventional Campton font family unit, Choplin is a geometric slab serif by German blazon designer René Bieder. It'due south modernistic, clean, and sturdy, drawing inspiration from Gill Sans and Johnston Sans while belongings onto standout gimmicky elements. As it lends itself well for photography layouts, editorials and assertive headlines, Choplin is a good font to consider for more assertive branding.
Choose this logo font for gimmicky and narrative magazines and journals.
three. Garamond
Garamond is more of an umbrella term for typefaces than a single typeface. Many of the iterations nosotros see in recent decades are interpretations of alphabets designed past Claude Garamond and Jean Jannon in the 16th century.
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Interestingly, the Garamond typeface became one of the start "famous" typefaces when information technology was presented at the Paris Globe's Fair in 1900, and dozens of variations soon followed. This fame has connected into later decades, as seen in the examples to a higher place.
Garamond has an elegant advent. The serifs on each letter are carefully crafted to convey their own personality, virtually notably the ones on the capital "T". Considering the serifs are and then expressive, they can easily be used in a playful context—as seen in the early on Apple tree branding. The refined letterforms likewise allow this font to be taken in a sophisticated direction—like in the American Hawkeye logo.
Consider this logo font for a professional person and timeless logo with a flair of personality.
4. Yeseva Ane
Architectural, loftier contrast and eliciting a detail kind of distinct, feminine essence, designer Jovanny Lemonad created Yeseva One as a serif display of "a consummate agreement betwixt a man and a woman". Named after the phrase "Aye, Eva", you tin can clearly see the friendly disposition even from its decorative feet. Yeseva One works well with Roboto, Open Sans, Roboto Slab, and other balanced serifs.
Cull this logo font if y'all seek to communicate a conservative, agreeable and graceful arroyo.
5. FF Avance
FF Avance is a special typeface that pushes the envelope on asymmetrical serifs. The lower serifs of the upper-case letter "A" point to the correct, while the upper serifs on the lowercase "v" signal to the left.
Consider this logo font if y'all are looking to portray move and energy. It's a swell pick for sports, automotive, and action-based industries.
6. Nunito Sans
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Coming from Nunito, a counterbalanced sans-serif typeface superfamily, Jacques Le Bailly created Nunito Sans equally an extension and fresh alternative to i of the about popular sans-serif fonts in the Google Font Library. Nunito Sans goes along with Montserrat, Theano Didot and Abhaya Libre. Its loftier x-height (the distance betwixt the baseline of a line of type and top of the chief body of lower example letters) and brusque descenders (lowercase messages, such equally g and y, that extend or descend below the baseline) grants an approachable display.
Cull this logo font for evolving and expanding corporations, to create healthy dialogue around what currently is and what it can become.
vii. Didot
Before Didot became known as a typeface, it was the name of a family composed of French printers, dial cutters and publishers in the tardily 1700s. They created many versions of Didot, one of which is used in the Giorgio Armani logo. Similar to Bodoni, the loftier contrast in line thickness creates drama. This font is as well commonly seen in the fashion globe. Didot works best when used but, with careful kerning and loftier contrast colors.
Consider this font for a less dramatic fashion logo: one that is mature and classy.
8. Walk On
Hanson Chan designed Walk On originally as a corporate typeface for the fashion brand Wang & Lynch. Chan's intention was to communicate a radical perspective to eras that deeply inspired him, specifically Art Deco's straight lines and assuming shapes and Art Nouveau'southward organic aesthetic. Walk On'south subtle ornamentation, uncomplicated shapes and retro-experience create so much flexibility for its awarding.
Choose this logo font for a nostalgic and decorative spin on a lifestyle-focused brand.
9. Neue Swift
Neue Swift was designed to generate a horizontal period, helping words and lines await separated and to read. This makes Neue Swift a keen choice for wordy logos! The typeface also has distinct sloping serifs and "busy" angles.
Consider this logo font for fiscal, wellness or not-profit industries.
10. Gafata STD
Although Gafata STD was exclusively made for small size text in a medium to long context, this flexibility allows the font to piece of work well when used in logo design in so many unlike platforms and applications. This whimsical sans-serif does wonders for mixing style and legibility, leaving an impression through ease and its minimal touches.
Choose this logo font if the intention is to apply your logo to a variety of situations for a various audition.
xi. Big Caslon
Big Caslon is a revival from a group of serif typefaces from the 1600s by William Caslon I. This typeface is a swell instance of classic typeface styles entering the realm of digital typography. Nearly of the serifs feel abrupt and pointy, while some, such equally on the uppercase "G" and "Due south" are slightly geometric. Overall, Big Caslon feels assuming and strong—perfect for making a large signal.
Consider this font if you want your logo to experience loud however retain a refined and elegant side.
12. Glober
Glober is known for excellent legibility through a broad range of language support and case-sensitive punctuation. Overall, information technology'due south a classical font, but underneath those clean outlines and optimized spatial sensation, there's a cozy appearance to these nearly-too-perfect geometric forms. Make the well-nigh out of all of its options; pair Glober with bold, italicized and underlined supporting text within the same family unit.
Cull this logo font if you lot're trying to become for technical, trendy and tender.
xiii. Canilari
Canilari could be considered somewhat of an outcast typeface. It's hard to pinpoint where exactly information technology fits into the context of typographic history, and that's dandy for inspiring creativity.
Sometimes a strange typeface is what a logo designer needs to accept a make out of the box.
Consider this logo font if yous simply can't quite put your finger on the correct font for your business. This font's thick and crude cuts could work well for a modern butcher shop or could add together a bootleg touch to packaged goods. Apply your imagination!
14. Ostrich Sans
Aptly named and outstretched, Ostrich is a narrow sans-serif with smooth rounds and a very long neck. It'southward currently only available in uppercase lettering, so use information technology wisely—specially if you hateful to plow heads and make a long-lasting statement.
Cull this logo font if you'd rather shout than whisper, just in a polite way.
15. Modesto
Modesto has a very interesting history from 19th and 20th-century circuses and mitt-painted typography. This digital iteration takes those analog forms and perfects them into a usable type family containing 23 fonts.
Consider this logo font for your business if you lot feel inspired by vintage circus styles, classic wooden crate branding or cigar box designs.
16. Abril Fatface
Abril Fatface was inspired by the heavy titling fonts used in advertising posters in 19th century Britain and France. Titling faces themselves are a relic from a particular tradition, where designing ways each typeface exists for optimal legibility and dazzler at a specific size—this is where details truly count. Thin serifs, make clean curves and refined touches automatically yield an elegant appearance. Abril Fatface is a part of Abril, a larger type family system designed past TypeTogether, which is well known for creating custom designs for major corporations.
Choose this logo font when you offer bespoke services to a wider audience, and/or if the details truly matter to you.
17. Rufina
Rufina applies archetype typography standards to stencil design. Where Rufina departs, however, is in the placement of the grapheme breaks. Rather than looking like a stencil, information technology almost looks more similar an artistic puzzle, with contrast and perceived texture. This technique allows Rufina to go in stylistic directions that other stencil fonts tin can't.
Consider this logo font if you own an art gallery, an art-related business organisation, or if you lot need to merge an artistic sensibility with a utilitarian artful.
xviii. Aileron
Aileron is a Neo-Grotesque sans serif font with a distinguished and curved lower case letter of the alphabet "fifty". It'southward inspired by 1940'south aircraft models, where we were at the beginning of modern aircraft history. Models but began to fly higher and faster with powerful engines. Brazilian typeface designer Adilson Gonzales flew away with this concept and created a retro-futurist typeface encouraging aerodynamic nature. Information technology's close to Helvetica design-wise, and conceptually close to Univers, and would partner up well.
Choose this logo font for a sleek and futuristic wait, ideal for clothing brands and startups.
19. Revista
No font list would exist complete without a stencil typeface, and Revista is an exceptional case. Information technology brings the elegance of a classic serif face up and merges it with the utility of a stencil font. The broken letter forms lend a down-to-earth, DIY vibe and make a fashion-oriented font accessible to anybody.
Consider this logo font if your disruptive business aims to break—nay set!—trends.
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20. Fenix STD
Uruguayan designer Fernando Diaz wanted to create a font that could exist used simultaneously for long and short text without affecting legibility. Fenix was birthed; this serif typeface is inspired by calligraphy, and offers the take a chance for elegant readability in larger texts. It has crude strokes suggested from both sharp and edged curves. Spatial proportions are thoughtfully designed to save space in height and width. Fenix STD works well with Dosis, Open Sans, Raleway, and Exo.
Choose this logo font to evoke a classical and traditional wave in your logo design. If your company proper name is on the longer side, or if you'd like to include a slogan or motto, Fenix STD could be the right fit.
21. Rockwell
While Rockwell hasn't been in the limelight recently, it's a standout typeface from the 1930s. This is a archetype slab serif face, which means that the serifs are unbracketed and of like weight to the residuum of each character.
Rockwell'south letterforms are pleasing in their simplicity. The shapes don't feel overwhelming, even though they are complex.
Consider this logo font equally the signature wait of a business organization dealing in utility, structure or no-nonsense habiliment.
22. Cassannet
Ukrainian-born and raised in Paris, Cassandre, or Adolphe Mouron, was one of the most beloved poster designers of the 20th century. Cassandre's work celebrated modern luxury transportation and prosperous lifestyles. Using stencils and airbrush techniques to create stylized images of speeding trains, Cassandre's work has get one of the most iconic amongst Art Deco.
Cassannet is a font based on the lettering on Cassandre's posters. The sans-serif homage is ideal for vintage typography enthusiasts, Cassandre enthusiasts, and Fine art Deco connoisseurs.
Choose this logo font to inspire luxurious Parisian lifestyles from back in the day.
23. Bodoni Egyptian Pro
Bodoni Egyptian Pro is a typeface that aims to subvert typographic norms. It accomplishes this by taking Bodoni and reducing it to a single stroke weight design. In that location are 8 weights, all of which are exciting—especially the lightest weight, which seems to be composed of unmarried-pixel lines.
Consider this logo font if your business concern has a classical and robust aesthetic, or even an electronic and modern feel. That's the dazzler of such a versatile font!
24. Butler
Butler is a serif typeface impressed by a mix between Dala Floda, one typeface that has roots in the Renaissance, and the Bodoni type family, a well-known serif typeface series of many interpretations by pattern houses. Butler'southward master goal was to bring modernism to serif fonts through working on the curvature of classical serif fonts and to add an extra stencil family. Its suggested font pairings are Twentieth Century and anything from the Bodoni family.
Choose this logo font for a more traditional food service business organization, or if yous just want to exist fancy.
25. Baltica
While Baltica fits the criteria for a slab serif, it looks very like to a simple sans-serif. The slabs are bracketed and of unlike widths from the letterforms, which is unusual for a slab-serif. These qualities are ultimately what set Baltica autonomously, giving it a signature look that helps define a brand like Winston.
Consider this logo font for a archetype brand that wants to exist seen as trustworthy, or that espouses sometime-fashioned values.
26. Odibee Sans
London-based designer James Barnard set out on a blueprint journey: to create his own one mean solar day build (ODB, or phonetically oh-dee-bee), and complete the entire character set, numbers and the bones glyphs in 24 hours. The result? Odibee Sans (become it?). This ambitious and bold projection speaks for itself, and works harmoniously alongside monospace and handwritten fonts.
Cull this logo font for an intelligent, ambitious and whimsical logo design.
27. Grenale Slab
While you won't read this anywhere else, Grenale Slab has a lot in common with Sassoon. The whimsical curls and boisterous rhythms are given a assuming style that works well in display and fonts.
Consider this logo font if your visitor relates to health, gardening or storytelling, or seeks a robust even so playful aesthetic.
28. Quicksand
Quicksand is a display sans serif with rounded terminals (the end, whether information technology exist directly or curved, of any stroke that doesn't include a serif). Initiated by Andrew Paglinawan in 2008, the designer used geometric shapes as a core foundation as information technology was directly influenced by the geometric-way sans serif faces that were largely popular in the 1920's-30'due south. The characters have been optically corrected to exist much easier on the optics. Mostly, rounded letterforms give off a warm and inviting appearance. Quicksand and Prensa are a friction match for font pairings.
Cull this logo font for an piece of cake, breezy, contemporary base font for a logo.
29. ITC Lubalin Graph
A quiet standout from the past is ITC Lubalin Graph. This font is full of life, as seen in the steeply angled elbow on the lowercase "due east", the asymmetrical upper serif of the capital "A", and the unforgettable sweeping tail of the upper-case letter "Q".
This typeface was fabricated in several different weights, and information technology's said that the IBM logo by Paul Rand was an elaboration on one of the heavier weights.
Consider this logo font for brand names containing the letter "Q" and/or brands needing an energetic and outgoing slab serif!
30. Bowlby One SC
Bowlby One SC proved that a font can be both commonsensical and decorative, taking forms to create a design from scanned and co-mingling 20th century type specimens. During this particular era, there was a shift in typography identity to favor monumental style. Blazon itself then became a much more competitive business.
Choose this logo font for a slightly rough, ambitious and courageous expect.
31. Bambusa Pro
Script typefaces eluded digital capability for decades. That's considering the messages are unpredictable in handwritten cursive letterforms—no one knows where one character will end and some other will begin. With the evolution of font files and new methods for making sure each letter connects properly, script fonts have become more pop than ever.
Consider this logo font if your business aims to feel natural and beautiful.
32. Alfa Slab I
When Napoleon returned from his Clarification de l'Égypt of 1809, the three twelvemonth exploration made many preoccupied with whatever and everything Egyptian-related. Once the Egypitan typeface (besides called slab serif, foursquare serif, or mechanical) was created, the blazon founders took reward of this craze, and simply named it after that.
Alfa Slab One is a fresh accept on the Six-lines Pica Egyptian Robert Thorne created for the Thorowgood Foundry in 1821. The difference between the two is that Alfa Slab One was designed to be heavier. Merely to proper noun a few details, it has extreme stalk weight, big serifs, more than stem dissimilarity and gradual terminals. Thicker and bolder fonts are cracking attention grabbers. Pair together with a thinner, smaller serif font, like Nixie One, to bring out that most important bold.
Choose this logo font to create drama and contrast behind your brand, especially if yous plan to include a lengthier text.
33. Steak
Here's a gorgeous typeface that can definitely make it in today'southward market place. Steak is a quirky cursive font that speaks to the handmade artisan aesthetic.
Consider this logo font if your business might exist alongside a hip flower shop, an artisanal ice cream maker or a cool silkscreen shop.
34. Advent Pro
Advent Pro is an edgy display font, utilizing distinct universal characteristics of the whole sans-serif genre, just has created its own modernistic characteristics. Combine with Caveat for an effortless residual of familiar and friendly.
Choose this logo font to be provocative or support a politically-focused agenda.
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35. Futura
Futura might be one of the almost successful and near used typefaces of the 20th century. The unusual, geometric letterforms project an optimistic modernism. The fashion is reflective of the radical artistic experimentation in Federal republic of germany at the time, especially at the Bauhaus art schoolhouse, whose values revolved around functionality and order. They also believed that the individual artistic spirit could coexist with mass production.
In the terminate, Futura is a classic sans-serif that holds its own confronting other typefaces of any era. FedEx and Swissair are two companies who have congenital strong brand identities with the modern—yet friendly—letterforms.
Consider this font for your logo if you are looking to create an internationally recognizable brand with a slightly unconventional and personable character.
36. Krona One
Yvonne Schüttler, the designer behind Krona I, looked to mitt lettering from early 20th-century Swedish posters for inspiration. This sans serif font is done in a low contrast, semi-extended mode, which makes it super readable, memorable and bonny in either a small or larger brandish.
Cull this logo font for a chic, minimal and accessible atmosphere.
37. Univers
Univers was ane of the first typeface styles to present the thought of a consistent font family. The Univers family includes a wide range of weights, widths and positions. Its designer, Frutiger, was non the biggest fan of purely geometric fonts and described Univers equally having "visual sensitivity between thick and thin strokes, avoiding perfect geometry." This attention to detail gives the letterforms a deep nuance.
Looking at the examples to a higher place, the cover to Europa/America creates an international and utilitarian look through its utilize of Univers uppercase letterforms. Meanwhile, the eBay logo shows a lot of personality. The arm of the lowercase "e" has a slightly lighter stroke than the rest of the character, the inner border of the bowl of the "b" is shifted slightly to the left—creating interesting stroke variation—and the "a" and "y" feature delightfully unexpected shapes and cutoffs.
Consider this font for a logo with international appeal and universal accessibility.
38. Cardo
David Perry created Cardo every bit his version of a typeface cut for the Renaissance printer Aldus Manutius, and "designed for the needs of classicists, Biblical scholars, medievalists, and linguists". Because it'south a large Unicode font (following the ambitious Unicode character code, a standard that provides a unique number for every single graphic symbol), it works for situations that call for a high-quality Old Style font. Cardo would go well with a Neo-Grotesque sans-serif typeface, like Roboto or the previously mentioned Aileron.
Choose this logo font in a classically-focused, academic context.
39. Helvetica
Many people don't know that Univers was famous before Helvetica and inspired designer Max Miedinger to course a type family. Both fonts were of somewhat like fame until the 70s and 80s, when Helvetica was licensed to Xerox, Adobe and Apple, to be one of the core fonts of the PostScript detection language.
Since and then, Helvetica has gained international fame, as shown in the expansive usage to a higher place! That'south because the typeface is uncomplicated and utilitarian, with quirky touches—like the rounded foursquare tail of the "R", the narrow "t" and "f", and the bracketed top flag of the "i".
Consider this logo font for a tried-and-true appearance that feels familiar to new customers and seasoned design observers alike.
twoscore. Vollkorn
Friedrich Althausen gives us all a German lesson while simultaneously creating a classical serif font to work with. Vollkorn, pronounced "Follkorn", is German for whole wheat flour and refers to an older term "Brotschrift". "Brotschrift" were small fonts in hand setting times for everyday usage, ie inclusive. This was Althausen's first apprehensive type design attempt, where he intended Vollkorn to exist quiet, modest and highly legible. This text face is surely for "bread and butter use", producing quite the vital expect.
Choose this logo font to add a scrap of a rustic complement to an existing high dissimilarity, traditional logo blueprint.
41. Frutiger
Remember Adrian Frutiger, the designer of the typeface Univers? Here'south another large one from him. Frutiger designed this typeface to be practical and useful for any purpose. The typeface is crafted for legibility at small sizes or at a distance. It's no surprise that this font has been used on Swiss passports since 1985.
Consider this fontfor your logo when looking for a basic and utilitarian appearance that reads well in both modest and large applications.
42. Rock Table salt
Stone Salt was created by an artist who goes by "Squid", a Tiki revivalist with a longtime fascination for hand-lettering from comics, toys and packaging from his youth. Squid took felt-tip markers to encompass a deeply personalized and rougher aesthetic. Use with Dancing Script to build more life into your design for a complex mitt drawn logo.
Choose this logo font for a humanistic and spirited entreatment.
43. ITC Bauhaus
Bauhaus, and its many iterations, are reinterpretations of the forgotten 1925 font Universal. The typeface ITC Bauhaus takes inspiration from Universal and builds on information technology with the inclusion of upper and lowercase characters, and an overall refinement. The strokes are even so weight and evenly geometric, yet somehow wacky in their swooping curves and slivers of negative space. The font has a retro feel and is perfect for logo designs looking to capture an onetime-school feel.
Consider this font for your logo pattern which seeks a nostalgic or retro feel.
44. FF Meta
According to font designer Spiekermann, FF Meta was intended to be the antithesis of Helvetica. Where Helvetica is more rigid, FF Meta is curved and fluid. The dot on the "i" is round, the bends are unusual and a visual rhythm comes through when scanning your eyes beyond text fix in this font.
Ironically, because of its popularity, FF Meta was considered to be the Helvetica of the 90s! Information technology is used in the Herman Miller logo and The Weather Channel logo.
Consider this font for your logo if you are a Helvetica fan only want something a little unlike and more fresh!
45. Exo
In an attempt to convey a technological and futuristic vibe, Exo was born. Natanael Gama designed the sans serif typeface as a way to further his own research into typography. Geometric, contemporary, and masculine-leaning, Exo was meant to be incredibly versatile, and thus works well for most sizes.
Cull this logo font for a typographic techno look.
46. FF Blur
In the 1990s there were two chief transformations in typography. 1 was a decreased interest in legibility, and the other was the introduction of computers. FF Mistiness embodies both of these trends.
Neville Brody created this font past processing an iteration of Akzidenz-Grotesk through the Photoshop blur filter three times to create the three corresponding weights. The result is not particularly readable, but it does have an exciting look that was particularly groundbreaking to those working in the early 90s.
Consider this logo font if yous seek to break out of the norm and into the foreign!
47. Horizon
Horizon takes inspiration from the typography used in the original Star Expedition series. Quite fittingly, this font was used 21 years later in the film Star Trek: Into Darkness. In keeping with the digital experimentation of the 90s, Horizon has a space-age wait—with sharp, unexpected angles that were accomplished sharply with digital tools.
Consider this logo font for futuristic and science-fiction-based brands.
48. Sackers Gothic
Sackers Gothic is one of those fonts that feels and then man you have to beloved it. The curves in the "South" are perfectly imperfect, the proportions of the "Due east", R" and "C" produce a visceral impact and the typeface as a whole feels warm and beautiful. Sackers Gothic would do well for wine bottle blueprint, vintage signage, or subcontract-to-table restaurants.
Consider this logo font for an old-school vintage vibe that is also sensitive and classy.
49. FF Din
FF Din was created for the foundry FontFont by Erik Spiekermann (also the creator of FF Meta) and ended up becoming their best-selling typeface. It modernized san-serif blueprint by extending circular elements into geometric ovals, cut off letterforms in unexpected (only pleasing) ways and creating nuanced curves through advanced geometry.
Consider this logo font every bit some other alternative to Helvetica. It's a font that still has that positive, welcoming experience yet looks more modernistic and current.
fifty. Sassoon
Sassoon was designed by 1 of the few renowned female person type designers in recent history, Rosemary Sassoon. This typeface is whimsical and friendly equally a result of the swoops and curls in each letterform. It is also highly commonsensical considering of its simplicity. The case in a higher place shows how Sassoon adds to the environment when used in signs throughout a children'south' museum.
Consider this logo font in children's applications or brands that aim to be whimsical and imaginative.
51. Neo Sans
Neo Sans has get somewhat of a touchstone for sans-serif typefaces with curved corners. It was one of the first typefaces to use the technique in such a subtle and sophisticated fashion. It decreases the intensity of the font and creates a friendlier energy. This font was famously used by Intel, as seen in the example above, on the right.
Consider this logo font if you lot want to ship an approachable, friendly vibe that is collected, clear and organized at the aforementioned time.
52. Proxima Nova
Co-ordinate to the designer, Proxima Nova is a font that bridges the gap betwixt fonts like Futura and Akzidenz-Grotesk. Based on broad spectrum of typography styles, a bridge betwixt those extremes was welcome.
Proxima Nova is a typeface that balances classic geometry and modern proportions. It is used by major companies similar Spotify and Twitter music.
Consider this logo font if your business is heavily connected with social media or is going for a hip internet presence.
53. Foco
Everything comes total circle. Foco is unique because reintroduces the legibility that was lost in 1990s digital experimentation. This typeface experiments with the balance between soft corners with "quick" radii and "slow" corners with broad radii. In that respect, it displays creativity and personality.
At the same fourth dimension, the character spacing and weights were carefully planned to heave readability and multi-functional employ. This font reads well as the principal face up of a logo, a subtitle or tagline.
Consider this logo font if you lot want your concern to experience cute, fun or tasty!
54. Tondo
Veronika Burian (besides one of the collaborators on the font Foco) is truly worth highlighting for her work on Tondo, one of the early fonts to accept rounded corners to an extreme. The result is cute, fresh and healthy, which may be why information technology became part of the branding for the London marathon.
Consider this logo font if you (or your make) take a bubbly personality!
55. Museo Sans
Museo Sans is a more user-friendly version of Museo, a bizarre serif font. In contrast, Museo Sans is simplified and minimal, giving the letterforms room to breath.
The letter of the alphabet "Q" gives a wonderful surprise—it breaks downward the barrier betwixt letterforms and abstract shapes by rendering the letter every bit a elementary circle with a line through it. A true delight for united states typographic nerds!
Consider this logo font if your business takes a minimal approach and needs a simplified aesthetic.
56. Uni Sans
The defining characteristic of Uni Sans is the style certain letterforms, such as the "N" and "G," take extended wedges cut out of the joints. It's unusual and opens the door for designers to play creatively with this unusual element.
Since this font pairs well with bold colors, information technology would do well with industries that award force, similar fitness brands or advert agencies. Best of all, Fontfabric has released four weights for gratuitous, so you lot can play with which suits your needs best.
Consider this logo font if you desire your logo to stand out and "shout" in marketing materials.
57. Brandon Grotesque
Brandon Grotesque stands apart from other sans-serifs with its low 10-meridian, a characteristic that gives the typeface a certain compactness and warmth. Some of you may recognize it from the One-act Central branding.
Consider this logo font if your logo will be used regularly on stylish packaging or modernistic label designs.
58. Amsi Pro
Amsi brings the classic 1900s Cake Berthold typeface into the present by utilizing the subtle corner rounding of typefaces like Neo Sans, and adding iii dissever weights ranging from very thin to very thick.
In cartoon on then many fonts that came before and combining techniques in a new way, this typeface has created a novel "comic book" way.
Consider this logo font for logos which need a font that reaches the extremes of thin and thick stroke widths.
59. Posterama
The Posterama font family contains 63 fonts that take "a journeying through space and blazon!" This family touches on Fine art Nouveau, the Arsenal Show, the 1913 Exhibition of Modern Art, the twelvemonth of Metropolis, the Art Deco period and more than.
Information technology's well worth checking out the full font family and as seen from the instance to a higher place, each face up has unique character.
Consider this logo font if your logo aims to reference a well known artistic menstruation from the past nonetheless needs to feel modern and electric current simultaneously.
60. Docu
Equally explained in the type example higher up, Docu is a thin typeface and combats overly-wide logo designs.
Defining characteristics include the inward curves of the "C", the odd curvature of the "S" and turned-in tail of the "y".
Consider this logo font if your business organisation needs an officious or legal await (or if your concern has long name that could use a thinner font).
61. Rational TW
The "TW" in Rational TW stands for typewriter, meaning that this is the typewriter addition to the Rational type family unit. According to the designer, Rational TW combines Swiss and American gothic elements with a modern aesthetic.
This is a monospaced font, which makes information technology extremely legible and versatile. Extra attention was given to modifying each character to accordingly occupy equal infinite. This can be seen in the fun curls of the "t", "i" and "l".
Consider this logo font for a computer-related business targeting computer lovers and design nerds alike!
Logo fonts brand the logo
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Now that y'all've got a much better grasp on the multifariousness of typography styles, you lot'll be able to make better decisions for your logo fonts. With a keen heart, yous tin find the perfect typographic match for your make. If you want to get deeper, bank check out these beautiful typographic logos and get inspired!
What to learn more near logo design? Bank check out our article on how to design a logo.
Have these logo fonts inspired y'all to get a new logo?
A logo design contest can become you dozens of ideas from professional person designers around the world.
This article was originally written and published in 2016. Information technology's been updated with new information and examples.
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